Reflections on my MFA exhibition, Crushed
Show Update / Three Minute Thesis
Class Post 6: How was your day today?
Class Post 5: I am an artist termite
Class Post 4: the precarious study of precarity
Initial thoughts on my MFA graduating show
Class Post 3: Dialogue and dialectics
Class Post 2: a non-studio studio practice
Class Post 1: my vision forward
Psychoanalysis of a Climate Change Melancholic
On Reading “Ephemeral Art: Mourning and Loss”
Recent reading, thinking, and making
Picnicking with Madeleine and Solastalgia
Group Studio Arts and Culture Journal, entry 8 (Art for (Lunch): Nic Wilson)
Dust update 5 / endings + beginnings show
Update: cracked / a pound of cure / hold it together
Group Studio Arts and Culture Journal, entry 7 (Madeleine Greenway’s Artist Talk on Show — Propagation)
Reading: Under a White Sky: The Nature of the Future
Group Studio Arts and Culture Journal, entry 6 (Dunlop’s “Date Night: Land Art Travel Tour”)
Group Studio Arts and Culture Journal, entry 5 (Art for (Lunch) with Nasrin Himada)
Group Studio Arts and Culture Journal, entry 4 (Dunlop Art Gallery’s Artist Talk: End of the World/Beginning of the World with Andrea Carlson)
Cracked update: trying very hard, but not failing enough
Group Studio Arts and Culture Journal, entry 3 (Art Gallery of Regina’s annual The Artist Is In talk: KC Adams; Brenda Wolf; Carole Epp)
Cracked update: not cracked enough
Dust update 1: failure, of course
Group Studio Arts and Culture Journal, entry 2 (Whitney Museum of American Art: “Art History From Home: Making Knowing.”)
nihilism, with a dash of hope?
Group Studio Arts and Culture Journal, entry 1 (Dunlop’s Opening Remarks and Artist talk for States of Collapse)
End of Semester Review Questions ~ Further Thoughts
Inventory of Posts for End of Semester Review (Fall 2020)
Performance 1: House of Cards (11-12 October 2020)
Performance 2: Hurdles (17 October 2020)
Performance 3: Now What? (26 October 2020)
“Civilian” Artist Statement – finalized (for now)
Reading: “Representing, Performing and Mitigating Climate Change in Contemporary Art Practice”
Reading: Introduction to Utopoic Impulses: Contemporary Ceramics Practices
Reading: “Craftivism: Reevaluating the Links Between Craft and Social Activism”
Reading: “Environment, Art, Ceramics, and Site Specificity”
Reading: “Metamorphosis: The Culture of Ceramics”
Reading: Artificial Hells: Participatory Art and the Politics of Spectatorship
Reading: Facing Gaia: Eight Lectures on the New Climate Regime
Reading: Slow Violence and the Environmentalism of the Poor
precipice 